The Book Thief by Markus Zusak

I finished The Book Thief on Saturday, and I've been trying to figure out how to write about it ever since. I enjoyed the audiobook immensely. Allan Corduner's performance is fantastic, and listening to his performance may actually have made me more emotional than had I read the paper version of the book.

I wanted to include some quotations from the book in my review, because Markus Zusak's writing is very lyrical. Some could argue that it's overly-flowery, but I think it works, especially considering our narrator. However, since I listened to the audiobook, it's hard to actually remember the quotes I liked, since it's not like I can just bookmark the page and come back to it later. I tried googling for quotes, but most of the good quotes I found were all super spoilery. So you'll just have to live without examples of Zusak's prose.

The Book Thief is told from the perspective of Death. An appropriate narrator for a book that takes place in Germany during World War II. Death is a compassionate and actually quite witty narrator. Death tells the story of Leisel Meminger, the titular book thief. The first book Leisel steals is The Gravedigger's Handbook, which she finds in the snow next to her little brother's grave. She later goes on to steal a book out of a fire at a Nazi book burning, and a bunch of books from the wealthy mayor. Books are the most important things in Leisel's life, next to her best friend and next-door-neighbor Rudy, and her foster parents Hans and Rosa.

I don't want to spoil any of the plot of the book, but should you choose to read The Book Thief, I would recommend keeping a box of kleenex nearby. I'm just saying. I know it's hard to believe, but a book narrated by Death in Nazi Germany has some sad parts.

Thirteen Reasons Why by Jay Asher

Read by Debra Wiseman and Joel Johnstone

After my last audiobook, which was violent and difficult to listen to, I decided to pick a cheerier subject for my next listen. I picked Thirteen Reasons Why, which is about a teenage girl who commits suicide. I'm awesome at picking books.

In Thirteen Reasons Why, our protagonist is Clay Jensen. Two weeks after one of his friends, Hannah Baker, commits suicide, he receives a package in the mail (no return address) with 7 cassette tapes. When he plays the first tape he is shocked to hear the voice of Hannah Baker. Hannah made these tapes as a sort of suicide note. Each side of each cassette is about one person who directly or indirectly contributed to her decision to shuffle off this mortal coil. The first person mentioned on the tapes was the first to receive them, and when he's done he sends them on to the next person. Basically, if you receive the tapes, it's partially your fault. Well, sort of. Clay receives the tapes, but he didn't really do anything bad to Hannah. I was wondering how Jay Asher was going to keep the protagonist of his novel sympathetic after we find out how he contributed to a teenage girl's suicide. But since this is a YA novel, I wasn't really surprised to find out that Clay is a super good guy instead of an anti-hero.

It's an interesting book that focuses a lot on bullying, rumors, peer pressure, that sort of thing. There's a short discussion about what is or isn't rape that I found interesting. The phrase "victim blamer" is used at one point, which was awesome. My biggest problem with the book was the performance of Debra Wiseman, who performs Hannah's tapes in the audiobook version.

I'm not sure how it comes across while reading the book, but for several discs I had myself convinced that Hannah was punking everyone and didn't really commit suicide. I mean, it's specifically mentioned that there wasn't a funeral, so it wasn't impossible for her to have faked her death. (Yes, I was raised on Soap Operas, why do you ask?) The whole theme of rumors getting out of control actually could have contributed to my version of the story. But, no, Hannah really did die. Debra performs Hannah as being damn near cheerful on the first few "tapes," which was disconcerting when you consider that you're supposed to be listening to the voice of a girl who commits suicide just after finishing the recordings. The performance just didn't fit into what I imagine a depressed, suicidal teen sounds like. Also, she sounds kind of old. Maybe they wanted Hannah to sound like an old soul, I don't know. And she says "repercussions" in a way that sounds weird to me, and as you can imagine in a novel like this, "repercussions" is said quite often.

In case you're wondering: Audiobooks are pretty much going to dominate my posts for the foreseeable future. I'm in grad school, so all my reading time is dominated by book-learnin'. But, since I have a little over an hour commute each way to class, I can use that time to power through audiobooks for fun. I can pretty much knock out one disc each way. It's great.

What Miranda's Reading...

... But Not Finishing.

I've found that working in the cataloging department at the library exposes me to hundreds of books that sound really good. Unfortunately, I don't have the time to read them all. I've started a few but I haven't finished many of them. Here are some of the books I've been kind of reading:

My Sister's Keeper by Jodi Picoult. Now, I've never heard anyone accuse Jodi Picoult of being a great writer. But her M.O. is tackling controversial moral arguments in her stories, and they seem very interesting. My Sister's Keeper is about a little girl who was born to be a genetic match for her older sister who has leukemia. Eventually older sister (can't remember their names and can't be bothered to look them up. One was Anna...) needs a kidney transplant and younger sister decides it's high time she was given the rights to her own body. So she decides to sue her family. Now, I'm all about women and young women having the right to decide what medical procedures are done to their bodies.... but... I just can't get behind this book. Maybe it's because I'm older than the characters in the book so I have more perspective, or maybe it's that I'm the older sister so my situation isn't the same, but I can't imagine letting my sister die for selfish reasons. I didn't finish the book, so I don't actually know how it ends. Maybe I'll pick it up again someday, but for now there are other books I'd rather read.

Whiskey Sour by J.A. Konrath. There's actually nothing wrong with this book. My only complaint is that the FBI characters are cartoonishly dim. I get that there's a rivalry between the detectives and the FBI but there's a more subtle way to go about this. It was actually really interesting, like an extended episode of Law & Order: SVU. The main character is Jacqueline Daniels (which some people think is too twee, but since I actually have a cousin named Jacqueline Daniels, it seems perfectly plausible. And unlike the Jack in the book, my cousin Jackie was born with the name, she didn't marry into it) and she's kind of awesome. She's a great female character, not stereotypical at all (which is great considering J.A. Konrath is a man), tough and funny. Even though the book describes her as a redhead, in my brain I picture her as Mary from In Plain Sight, only less annoying. So why did I stop reading it if I don't have any complaints? Well, it was taking me forever to read (I usually read just before bed, and the crimes are pretty gruesome), and I just got the next book on my list, and it takes precedent:

Juliet, Naked by Nick Hornby. I'm only two chapters in, but it's pretty good so far. I've liked almost everything else I've read by Hornby (A Long Way Down is another I started but never finished [possibly because I started reading in an airport and the title seemed inappropriate so I switched to another book I had with me) so I've got high hopes for this.

I think the last book I finished was Wintergirls by Laurie Halse Anderson. It was awesome. I want to read more of Anderson's books to see if they're as good as this one was. Wintergirls is the story of 19-year-old Lia after the death of her best friend Cassie. The whole book is told from Lia's perspective, and it has a stream-of-consciousness to it that is very poetic. Lia suffers from anorexia, and the way she deals with food and those trying to get her to eat is really compelling. A friend of mine once said that she prefers books that are about people, not events, and that's what Wintergirls is. There are very few "events" in the book, it's all about Lia and how she interprets the world around her. A wonderful book, pick it up in the Young Adult section of your local library/Barnes and Noble.

Girls in Pants by Ann Brashares

-- Miranda

Yeah, this is the third book in the Sisterhood of the Traveling Pants series. I'm not ashamed to admit that I read the first two books and enjoyed them greatly. I read them before the movie came out... I know I was still at Juco, so this was probably three to four years ago. So it's been a while.

This book is sort of the same as the others, it tells the story of four friends' summer vacation. In the first two books, Lena, Tibby, Bridget and Carmen are all separated for the summer and the pants are a way to keep them all connected. But in this book, Bridget is the only one away and the other three are all at home. It's the summer before they leave for college, and Bridget is coaching at a soccer camp in PA, Lena is taking Art classes, Carmen is babysitting Lena's Grandma and preparing for the birth of her half-brother, and Tibby is... well, she kinda starts dating her friend and her little sister falls out of a tree, but I can't remember what else she does for the summer. The summer before college is an interesting time, because for the first time the girls aren't going to be together again when Fall rolls back around.

One problem that this book faces that the others didn't is that they aren't separated. The whole purpose of the pants in the first books are that they make the girls feel a connection to each other even though they are all far away. The girls deal with the sort of problems that make them wish their friends were there (first love, first hearbreak, a parent remarrying, self-discovery and the death of a friend (all in the first book!!)), and having the pants was a way to make them feel the bonds of their closeknit friendship. The pants gave the girls strength and courage, the same way a pep talk from your closest friend would. The pants would be mailed to each girl in a set pattern where they would keep them for a week and then pass them on to the next girl, usually with a letter. It was a very interesting and effective storytelling device.

In this book, not only are they not separated, but the pants are almost an afterthough. Since three of the four girls are in the same town, the pants don't really serve the same purpose as they did in the previous books. Bridget is the only one who really needs to have the feeling that her friends are with her, but the only time I can remember her wearing the pants is at the game where the team she coached wins a tournament against the other teams at camp. She mentions when she's gettting ready that she puts the pants on, but she doesn't mention if they at all affect the way she feels. I can't even remember when the other girls have the pants. I think Tibby is wearing them when Carmen's brother is born. Lena... maybe when she decides to go to art school? Carmen... I have no idea. I get that the whole pant thing is really cheesy, but it's kind of the cheese that holds everything together.

All in all, it's an OK book. It's targeted at teen girls, so it's not really aiming to be a pulitzer nominee. But I remember the first two books being much better than this one. I give it a grade of C. It was this close to being a C+, and could have even earned a B or higher if Ann Brashares had stuck with the themes of separation and magical pants.

Next up: Black Girl/White Girl by Joyce Carol Oates and Forever in Blue: The Fourth Summer of the Sisterhood